I wish I wasn't so passionate about those 24 frames, I could have written this chapter with much clarity. However, I will try and analyse my intrinsic feelings related to a story presented in both the forms. I first watched this film called " The English Patient" some five years back. I fell in love with it; beautiful, soulful, romantic, aesthetic and grey. I watched it thrice, both by deliberation and chance. Despite the fact that I knew it was originally a novel, I dared not to read it thinking I may loose the love I had developed for the film. And so it happened one day, I chanced upon the Ondaatje novel in a bookstore selling second hand books. I got it for Rs. 50, and could not resist buying it. In a way I was sold to the price of the book (and my innermost temptation to read this masterpiece).
The first thing I did to prevent myself from reading it was to keep it on my shelf with the cover clearly visible. Yes, it had the film's poster on it, much to my dismay, or may be relief as I hate original coverpages being replaced by the film shots once a novel gets converted to a film. I was shifting between temptation and loyality. Temptation of reading the book and loyality towards the beautifully made film.
Finally, I read the book. I was a stupified moth. What the visuals of the burnt English patient could not instill in me, the few lines describing war, Hana's reasons for being in the dilapiated building with the English patient did it. (...to be contd.)